The Belgian Photonovel, 1954-1985


Engels | 30-08-2023 | 250 pages

9789462703704

Paperback / softback


€ 45,00

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Korte beschrijving/Annotatie

The importance of the Belgian contribution to the history of the photonovelThe Belgian photonovel is the missing link in the amazing history of the photonovel, a comics-inspired form of visual narrative that combines elements from very different genres and media, ranging from literary melodrama, cinema, and of course comics. This monograph discloses the specific Belgian contribution to the genre, in close connection with the singularities of the Belgian women’s and general magazines where these photonovels appeared. If the photonovel is generally considered a typically French or Italian genre, this study demonstrates the importance of a different tradition, which appropriated the foreign models in a very original way. Belgian photonovels are distinct, not only because they tell other kinds of stories, but also because they interact with other types of magazines in ways that are very different from the mainstream forms of the genre in Italy and France. Finally, this lavishly illustrated study is also the first in scrutinizing the technical aspects of magazine printing techniques in the development of the photonovel.

Ebook available in Open Access.
This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).

Tekst achterflap

The Belgian photonovel is the missing link in the amazing history of the photonovel, a comics-inspired form of visual narrative that combines elements from very different genres and media, ranging from literary melodrama, cinema, and of course comics. This monograph discloses the specific Belgian contribution to the genre, in close connection with the singularities of the Belgian women’s and general magazines where these photonovels appeared. If the photonovel is generally considered a typically French or Italian genre, this study demonstrates the importance of a different tradition, which appropriated the foreign models in a very original way. Belgian photonovels are distinct, not only because they tell other kinds of stories, but also because they interact with other types of magazines in ways that are very different from the mainstream forms of the genre in Italy and France. Finally, this lavishly illustrated study is also the first in scrutinizing the technical aspects of magazine printing techniques in the development of the photonovel.

Clarissa Colangelo holds a PhD in Cultural Studies and is affiliated with KU Leuven, where she is conducting research on the visual aspects of magazine culture in collaboration with the Belgian National Library (KBR).

Slogan/Promotie

The Belgian photonovel is the missing link in the amazing history of the photonovel, a comics-inspired form of visual narrative that combines elements from very different genres and media, ranging from literary melodrama, cinema, and of course comics. This monograph discloses the specific Belgian contribution to the genre, in close connection with the singularities of the Belgian women’s and general magazines where these photonovels appeared. If the photonovel is generally considered a typically French or Italian genre, this study demonstrates the importance of a different tradition, which appropriated the foreign models in a very original way. Belgian photonovels are distinct, not only because they tell other kinds of stories, but also because they interact with other types of magazines in ways that are very different from the mainstream forms of the genre in Italy and France. Finally, this lavishly illustrated study is also the first in scrutinizing the technical aspects of magazine printing techniques in the development of the photonovel.

Details

EAN :9789462703704
Uitgever :Universitaire Pers Leuven
Publicatiedatum :  30-08-2023
Formaat :Paperback / softback
Taal :Engels
Hoogte :230 mm
Breedte :170 mm
Dikte :15 mm
Gewicht :590 gr
Voorraad :Beschikbaar
Aantal bladzijden :250
Reeks :  Studies in European Comics and Graphic Novels
Trefwoorden :  photonovel;magazine culture;photography;printing techniques;gender studies;visual narrative;genre hybridization;authorship;readership;national culture;bilingualism