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Through the examination of participatory elements, theories, and practices, this book defines participatory opera, explores ways it challenges traditional roles of “audience,” “performer,” and “author,” and situates Euro-American participatory opera within the context of participatory philosophy, theory, and art of the twentieth century.

Beschrijving

Through the examination of participatory elements, theories, and practices, this book defines participatory opera, explores ways it challenges traditional roles of “audience,” “performer,” and “author,” and situates Euro-American participatory opera within the context of participatory philosophy, theory, and art of the twentieth century.

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