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Max Weber studied under Matisse, associated with influential figures including Apollinaire, Picasso, and Delaunay, and is credited with bringing firsthand knowledge of the Parisian avant-garde to Alfred Stieglitz s modernist circle in New York, inspiring a generation of artists. While his works are in important collections, they have not yet received the close study of the artist s peers, such as Picasso, Braque, and Leger. William C. Agee, a veteran museum curator and renowned scholar of twentieth-century American art, and scholar Pamela N. Koob take up the challenge in a lavishly illustrated volume, gathering together a selection of Max Weber s best cubist works. Close readings of Weber s paintings open the most complete survey to date of American cubism, with entries on key cubist works by Marsden Hartley, Stuart Davis, Hans Hofmann, Charles Sheeler, Morgan Russell, Stanton Macdonald-Wright, Alice Trumbull Mason, and David Smith, among many others. Filling in a missing piece of one of the twentieth century s most influential movements, this critical reevaluation is long overdue.

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Max Weber studied under Matisse, associated with influential figures including Apollinaire, Picasso, and Delaunay, and is credited with bringing firsthand knowledge of the Parisian avant-garde to Alfred Stieglitz s modernist circle in New York, inspiring a generation of artists. While his works are in important collections, they have not yet received the close study of the artist s peers, such as Picasso, Braque, and Leger. William C. Agee, a veteran museum curator and renowned scholar of twentieth-century American art, and scholar Pamela N. Koob take up the challenge in a lavishly illustrated volume, gathering together a selection of Max Weber s best cubist works. Close readings of Weber s paintings open the most complete survey to date of American cubism, with entries on key cubist works by Marsden Hartley, Stuart Davis, Hans Hofmann, Charles Sheeler, Morgan Russell, Stanton Macdonald-Wright, Alice Trumbull Mason, and David Smith, among many others. Filling in a missing piece of one of the twentieth century s most influential movements, this critical reevaluation is long overdue.

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